Hailed as “one of the world’s top saxophone artists” (Audiophile Audition) with “the personality and fingers of a first-rate soloist” (American Record Guide), “subtle, perceptive phrasing, and flawless control of vibrato” (Fanfare Magazine), Yamaha Artist Christopher Creviston has been featured in venues ranging from Carnegie Hall to Paisley Park and the Apollo Theater.

As soloist and with the Capitol Quartet, Creviston has been showcased with outstanding ensembles across the U.S., including the National Symphony Orchestra, the Baltimore Symphony Orchestra, the Indianapolis Symphony Orchestra, and many others. As a recitalist and clinician, he concertizes globally with the Capitol Quartet, and in the Creviston Duo with pianist Hannah Creviston.

Creviston’s recent releases include the premiere recordings of the Soprano Saxophone Concerto by Pulitzer Prize Finalist Carter Pann (Jeffrey Meyer conducting the Arizona State University Symphony Orchestra), and the Concerto for Soprano Saxophone and Band by Pulitzer Prize Winner William Bolcom (Gary Hill conducting the Arizona State University Wind Orchestra).

The Creviston Duo’s recordings include the CDs Phoenix Rising and Breaking, presenting works specifically commissioned (or co-commissioned) by the duo from recognized composers Stacy Garrop, Carter Pann, John Anthony Lennon, Mark Lanz Weiser, Katherine Hoover, John Fitz Rogers, and Eric Mandat. These and several other Creviston recordings can be found on Spotify and other digital media.

Now on the faculty at Arizona State University, Professor Creviston has held positions at the Crane School of Music (SUNY Potsdam), the Greenwich House of Arts (NYC), the University of Windsor (Canada), and the University of Michigan, and serves on the faculty of the Great Plains Saxophone Workshop. His students have garnered accolades at some of the world's most prestigious competitions, including the Fischoff Chamber Music Competition, the American Prize, the MTNA National Competition, the Coltman Chamber Music Competition, and many others.

Creviston is a Yamaha Artist and a Past President of the North American Saxophone Alliance.

Described as “impressive and expressive” (Fanfare Magazine) and “superb...[with] great dexterity, rhythm, and touch” (American Record Guide), Hannah Creviston is Clinical Associate Professor of Piano Pedagogy, Director of the Music Prep Program and Coordinator of Class Piano at Arizona State University. She received her B.Mus. in Piano Performance and Music Education with a Piano Pedagogy concentration from the Crane School of Music at SUNY Potsdam, studying with Eugenia Tsarov. A researcher and presenter on the effects of music on children with autism, she holds an M.M. in Piano Performance and an M.MuED in Early Childhood/Elementary Music Education from the University of South Carolina where she studied piano with Dr. Scott Price. Prior to joining the faculty at ASU in Fall 2012, Creviston was on the faculty at the Crane School of Music.

As a soloist, she won the Crane Annual Concerto Competition and was a finalist in the Arthur Fraser Piano Competition. An avid performer of contemporary music, Creviston has premiered many compositions, including works by Whitney Ashe, Cameron Britt, David Heinick, Katherine Hoover, Carter Pann, John Fitz Rogers, Timothy Sullivan, Brian Vlasak, Gregory Wanamaker, and Mark Lanz Weiser. Most notably, in 2007, she premiered Stacy Garrop’s Pieces of Sanity at Carnegie Hall with saxophonist Christopher Creviston.

As an accompanist, she has performed in festivals and competitions throughout the United States and abroad, including the World Saxophone Congress, International Viola Congress, Music Teachers National Association Solo Competition, North American Saxophone Alliance (NASA) Biennial Conferences, NASA Solo Competition, Navy Band Saxophone Symposium, Great Plains Saxophone Workshop, Potsdam Single Reed Summit, Penn State Single Reed Summit, Crane Saxophone Chamber Music Festival, Cortona Saxophone Sessions and the Southeastern Piano Festival. She has collaborated with various artists, including Elizabeth Buck, Joe Burgstaller, Christopher Creviston, Geoffrey Deibel, Anthony Kniffen, Joe Lulloff, Jeffrey Loeffert, Timothy McAllister, Jonathan Nichol, Stephen Page, David Pittman-Jennings, David Stambler, Peter Steiner, Deanna Swoboda, James Umble, Robert Young and members of the United States Military Bands.

Frequent workshop topics include Music Learning Theory, teaching music to children with special needs, the importance of movement in teaching rhythm, and piano music by composers killed in the Holocaust. She has presented at numerous conferences, including the World Piano Conference (Novi Sad, Serbia), Music Teachers National Association Conferences, Texas Music Teachers Association Conference, and the Arizona State Music Teachers Association Conferences, to name a few. Her articles and compositions appear in Clavier Companion, Music Play II, ECMMA’s Perspectives, and others.

She performs regularly in a duo with her husband, saxophonist Christopher Creviston. Together, they have recorded Phoenix Risingon the Blue Griffin label, Snell Sessions, and Columbia Sessions, both on the Albany Records label, and Sunday Afternoon and Breaking, available through CD Baby. Their recordings have been described as “engrossing” (Fanfare Magazine), “highly imaginative and expressive” (composer Denis Bédard), “a good blend of the standard and the new” (American Record Guide), and “sensitive, transparent, powerful music making that causes one to hold their breath often” (Donald Sinta).

Arranged and performed by Christopher Creviston, Tenor Saxophone, with Hannah Creviston, Piano. Live at Arizona State University, April, 2021.