Fine Classical, Instrumental, and Specialty Recordings
Label: Soundset Recordings Item Number: SR1084 Format: Download Year Recorded: 2016 Raphaella Smits: Guitar Recital Raphaella Smits
Raphaella Smits - guitar  Raphaella Smits plays worldwide in her unique way on eight-string guitars and historical instruments. Recognized as ‘an uncommonly musical guitarist’ (Tim Page, New York Times), she always commits to the soul of the music. Her solo recitals as well as her performances with the most distinguished colleagues always meet enthusiastic audiences and press. Besides stage-work Raphaella Smits has made 5 LP's and 17 cd's (including 12 for Accent Records), many of them being listed as indispensable to refined music lovers. Raphaella Smits is internationally praised as an inspiring teacher for both guitar and chamber music. In addition to her chair at the Lemmens Institute in Belgium, she regularly gives master-classes in West and East Europe, in North and South America and in Asia. Organizers of international music competitions ask Raphaella as a member of the jury because of her ability to listen and to judge so accurately. Here again she shows her talent to combine professional skills with a great sense of empathy. Raphaella studied classical music at the Royal Conservatories of Antwerp and Brussels. She also went to José Tomàs to perfect her playing at the "Catedra Andrès Segovia" in Spain. At that time she was giving her first recitals and became a persuasive advocate of the eight-string guitar. In 1986 Raphaella Smits was the first woman to win the first prize of the "XX Certamen Internacional de Guitarra Francisco Tarrega", the famous international guitar competition in Benicasim, Spain. That victory confirmed the progress of a successful career, which over the previous years had included prizes in the Granada and Palma de Mallorca contests. Chairmen Andrès Segovia and Narciso Yepes, both expressed their admiration for Raphaella's musicality and put prophetically confidence in her future achievements. Today Raphaella Smits is called quite rightly ‘une Grande Musicienne’ and ‘one of the most delicate and most cultivated performers of our time’ (Jean Bernard, Diapason, FR). More info at http://www.rsmits.com Agustin Barrios Mangore - Leyenda Guarani Raphaella intensely at work during the recording in the studio of Rockeway Records
(Castellon, Spain, 14-16 December 2016) Not Available
Label: Soundset Recordings Item Number: SR1084 Format: Download Year Recorded: 2016 Well-known guitar works by Ponce, Barrios, and Mompou, re-envisioned through the impeccable artistry of Raphaella Smits and performed on her 1980 Gilbert 8-string guitar. When I finally saw Raphaella Smits perform at GFA last summer, her skill and passion were very much on display throughout her program, so I should not be surprised that this latest recorded offering is also a rich and deeply felt “recital.” Just three composers are represented: Manuel Maria Ponce (four of the five movements of his gorgeous homage to Weiss, written for Segovia, with its deep, affecting “Sarabande” and spry, memorable “Gigue”); Barrios (two preludes and the beautifully wistful Leyenda Guarani); and Mompou (his tonally variegated 1962 Suite Compostelana, which seems to be quite popular among players these days). Everything about this project is completely top-notch; the recording of the late luthier John Gilbert’s 1980 8-string guitar is spectacular! - Classical Guitar News, March 2017 Music in its purest form: Raphaella Smits presents the best of the guitar, summarized in 55 minutes! There are musicians whose virtuosity is such that one can not help thinking about it. How incredibly skilled they are, how clean and spotless they play. Sharon Isbin and Aniello Desiderio, as I wrote about in previous issues are no doubt two such virtuosos. Then there is another kind of musician who transcends this in the way that one never ever thinks about virtuosity, it is merely a flow of pure musicality. Raphaella Smits is such a musician. Her tone is brilliant and make you think of greats like Julian Bream and John Mills, but her warmth is her own. The album opens with Manuel Ponce's beautiful tribute to the lutenist Silvius Leopold Weiss. A clear baroque-pastich, but with some unexpectedly fancy elements that in no way belong to the baroque. For some reason she jumps over the Gavotte, but it does not bother me too much. Following are three painfully beautiful and dark pieces of the Paraguayan guitarist Agustín Barrios. The last, Leyenda Guarani, is not even preserved in its entirety but is lovingly completed by Raphaella herself. The disc ends with the distinctly Spanish Suite Compostelana, written to Segovia by Federico Mompou in 1962 but subtly arranged by Raphaella to fit her 8-string guitar. I also like the idea of a Recital CD. A chance for the artist to pick up and put together the pieces closest to heart. Such a disc will also be very personal and maybe that's what makes you so incredibly touched by this one. - OPUS MAGAZINE. David Härenstam Probably the most interesting part in this disc is Barrios. Smits approaches two Preludes with expressing not just the virtuosity, but emphasizing fully the romanticism of Barrios. She performs Leyenda Guarani as one big story of music. All listeners will enjoy and be attracted by the great work of Raphaella Smits. Her fantastic expression provides through the disc a full view of her personality. - Gendai Guitar Magazine (translation Masayo Sasao) "Raphaella Smits, If your read this, I speak my heart when I say that this will be the future of music. A new trend towards, a type of utilitarianism, where virtuosic technique, is necessary, but valued only to the degree that it emphasizes pure emotional expression in the music and not for showcasing or pretension. I believe that you have realized, a new musical paradigm where we are returning to less ego based playing, and more to fully actualize the music's intent of bliss for the listener. After all its about giving to others, a few minutes of heaven in a ruthless world where all beings suffer. Music which has no need to dazzle, but to express. In other words, your music fuses, the necessary virtuoso technique with great emotional expression. The perfect blend of technique and feeling in playing. And each player can express these levels of emotion in a personal way. Via technique without it being over the top. Few players are doing this. Most want to operate on the dog eat dog, "I am more successful, than you" paradigm. This quest for faster, more dazzling technique, I ask, where will that lead us? But now, through players like you who have seen the light, we are entering into this age of musical Primitivism. Where the audience, can enjoy as much as the player. I believe that classical music and instrumental music in general has lost its path. And must return or be lead to this type of playing. Developing the highest technical abilities, to be used only to express an emotional quality. Like the martial artist who has mastered his art, but only uses what is necessary to overcome, not to go beyond. Both mastery of emotion and of technique to create a higher form of art in music. Welcome! I say to young players: this is the new standard. Learn your brilliant technique, but employ it as shown here by Ms Smits. With the goal not to be recognized for your dazzling speed and technique, but to employ it for the joy of the listener. As is done here. A perfect example of nearly perfect sharing of music to others. Remember music was invented to give to others, not to give to ego." - WATER-MAN I bought this as soon as it appeared and totally agree with the review. I might add that this is a recording of rare artistic integrity and insight which reaches deep emotionally. A mature recording by one of the guitar's great artists. Fantastic work, Raphaella Smits! - Gerald Garcia Muchas cosas van a quedar en la casilla de grandes recuerdos de la grabación del disco de Raphaella Smits, pero hay uno de ellos que será imborrable: El momento de la grabación de esta obra… ¡Exaltación espiritual al máximo nivel! Ni tuve palabras para explicar lo que sentí en el momento de la grabación ni las tengo ahora… Solo se que toca todas las fibras más sutiles de mi ser. Que afortunado me siento de haber tenido la oportunidad de captar este momento musical que se que como a mí, acariciará el alma de muchas otras personas. Bravo Raphaella ¡bravo! - Javier Salvador Superbe, une interprétation profonde qui confère à Barrios ses lettres de noblesse en tant que véritable compositeur Romantique. Et l'instrument est tout simplement délicieux. C'est un Barrios sorti du carcan légèrement inadéquat de la 6 cordes (qui le fait paraître comme un talentueux compositeur de miniatures). Ici on constate tout l'ampleur de son potentiel expressif et de son sens de l'équilibre. Et l'adaptation pour 8 corde vise tellement juste qu'on n'en est même pas conscient ! - Steve Gibbs "J’ai été beaucoup touché par votre profonde et pénétrante interprétation de ‘Leyenda Guaraní’. J’ai ressenti un amour immense, une fidélité à la musique et à la guitare. " -Illya Ulyanov | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Amazon
Follow Us on Twitter
Follow Us on Instagram
Visit Our Partner Soundset Recordings